A: A man (Colin Firth) tries to cope with the sudden death of his lover, who-- it might interest some people to know-- was also a man (Matthew Goode).
Q: Who’s in the movie?
A: Colin Firth, Matthew Goode, Julianne Moore, Nicholas Hoult, Ginnifer Goodwin, Ryan Simpkins, Paulette Lamori, Lee Pace
Q: Is this movie worth the price of admission?
A: Proceed with Caution. This is what people call a "beautiful film", meaning that it has a dramatic score and meditatively seems to be addressing something grand and important. You know in your heart, simply from reading that last sentence, if that's the type of thing you respond to.
Q: Will this movie make me laugh?
A: Apparently, some people in my theater think suicide is funny.
Q: Will this movie make me cry?
A: If you have recently experienced a loss, you will find the emotions here unbearable, and shouldn't go. If you haven't recently experienced a loss, you probably won't cry. So, either way, it's a no.
Q: Will this movie be up for any awards?
A: It's got buzz. Having seen it, I'm not exactly sure around what...
Q: How is the Acting?
A: What I love about gay films by fashion designers is that the men are hot, tan, and dressed impeccably (when they're dressed). Over all, there's more eye candy than acting. And speaking of eyes, what exactly is the symbolism behind all those eye close-ups supposed to be?
Q: How is the Directing?
A: Tom Ford, Gucci's savior, debuts his visual style on the big screen, and while the lighting choices seemed a thoughtful way to differentiate the cold dead present from the warm lively past, I later read that this was supposed to all take place on the first day after Colin Firth finds out about the death of his lover (not counting the flashbacks to when his lover was alive). Well, it was specifically those lighting choices that confused me as to the time line, because they were not consistent, and sometimes the present shifted from a cold and grey, sepia color scheme to a happier looking warm yellow. Also, there are some scenes that drag on, while not advancing anything.
Q: How is the story/script?
A: To me this is one of those scripts that tries so hard to be subtle and meaningful without spoon feeding anything, that it ends up feeling self important. And in its efforts not to talk down to the audience, it ends up slapping them in the face with an uppity pretension.
Q: Where can I see the trailer?
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