Black Swan

Q: What’s the movie about?

A: A ballerina (Natalie Portman) gets cast as the lead in Swan Lake and struggles with her inner demons, as her stardom alienates her, makes her paranoid, and generally drives her insane.

Q: Who’s in the movie?

A: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder, Benjamin Millepied, Ksenia Solo, Kristina Anapau, Janet Montgomery, Sebastian Stan, Toby Hemingway

Q: Is this movie worth the price of admission?

A: Proceed with Caution. As you can tell from my late review, I didn't really want to see this film because it looked creepy. And it is. The members of my audience couldn't wait to get the hell out of the theater when the movie ended. But there's no denying that the filmmaking is at expert level.

Q: Will this movie make me laugh?

A: Darren Aronofsky lives in a world of depressing self-importance. If there was ever any humor in this script, I'm sure he did away with it.

Q: Will this movie make me cry?

A: It's not necessary. Just-- if you're considering becoming a ballerina, don't.

Q: Will this movie be up for any awards?

A: According to all sources, Natalie Portman is going to win an Academy Award this year.

Q: How is the Acting?

A: Believe the hype.

Q: How is the Directing?

A: While I'm rarely interested in any of the stories or subject matters that Darren Aronofsky is compelled to put to celluloid, visually, he is one of my absolute favorite directors working today.

Q: How is the story/script?

A: In the vein of Fight Club, the story deliberately confuses reality with the inner workings of a nutsoid person's mind. It is interpretable, though, and while I don't enjoy guessing what the storytellers want me to believe, I did enjoy the way the story of the film perfectly parallels the story of the ballet. Which brings me to my next question: why do the dudes who wrote and directed this know or care so much about this ballet?

Q: Where can I see the trailer?

A: Black Swan Trailer

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Doubt

Q: What’s the movie about?

A: A nun (Meryl Streep) tries to take down a priest (Philip Seymour Hoffman) who she believes has seduced one of the children.

Q: Who’s in the movie?

A: Meryl Streep, Philip Seymour Hoffman, Amy Adams, Viola Davis, Joseph Foster

Q: Is this movie worth the price of admission?

A: Proceed with Caution. While they manage to avoid making any outrightly disparaging remarks about sex and the clergy, by keeping the battle between two of its committed members (a priest and a nun), the ultimate conclusion that the story comes to feels more intellectual than emotional, and for that, the movie ends up feeling less important than it should.  On the other hand, for those interested in an exercise in thinking, rather than feeling, you may have fodder, as many of the sermons are interesting, and the clergy makes for a perfect setting within which to explore themes of faith versus doubt.

Q: Will this movie make me laugh?

A: This movie is so totally devoid of humor that it's hard to believe it comes from the writer of Moonstruck and the producer of Clueless.

Q: Will this movie make me cry?

A: It's too heady to incite those emotions, but when Viola Davis cries her nose runs and she licks it up. Eiw. Was there no one on set to give this woman a tissue?!

Q: Will this movie be up for any awards?

A: All Meryl Streep has to do to get an Academy Award nomination is be in a movie. But if she has to get one this year, it would be more original to see her get it for Mamma Mia!

Q: How is the Acting?

A: Watching such pros as Streep and Hoffman battle it out in scene after scene is a true pleasure to anyone who appreciates fine acting. Their performances, as well as Amy Adams'-- who's always delightful--, are the number one reason to see this film.

Q: How is the Directing?

A: Shanley opens it up a little from the staged version, but it still feels like a play. That said, if you like theater, you will probably like this play. On the other hand, any good theater aficionado should have already seen it.

Q: How is the story/script?

A: When I was an acting student at UCLA, I remember always wanting to do scenes from such John Patrick Shanley plays as Danny and the Deep Blue Sea and Women of Manhattan. I also remember then sitting down to read the entirety of his plays and never finding them to be as  moving as the individual scenes within them. That is also true of this movie, where there is a plethora of highly intense, dramatic, and well thought-out scenes interwoven into a story that amounts to not very much.  

Q: Is there anything else worth mentioning about the movie?

A: Before seeing this movie, I had never stopped to think about how severely sexism is woven into the church. In the hierarchy, Mother Superior is the highest ranking for a woman, which is below Priest-- the lowest ranking for a man. How can women ever gain equality in a world where the primary religion suppresses their rights to it completely? I'm just saying.

Q: Where can I see the trailer?

A: http://www.moviefone.com/movie/doubt/29875/trailers

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