Blue Valentine

Q: What’s the movie about?

A: The two halves of a married couple (Ryan Gosling and Michelle Williams) reminisce about how great their relationship used to be, as it quietly falls apart.

Q: Who’s in the movie?

A: Ryan Gosling, Michelle Williams, Mike Vogel, John Doman, Ben Shenkman, Faith Wladyka, Jen Jones

Q: Is this movie worth the price of admission?

A: Proceed with Caution. If you've ever been in a marriage, you probably already know how this one goes. And if you haven't ever been in a marriage, it's probably because you think this is how it will go.

Q: Will this movie make me laugh?

A: They go to a motel for a sexy weekend and book the "Future Room," which is about the most depressingly funny place to try to make romance that I've ever seen.

Q: Will this movie make me cry?

A: The great thing about not being in a marriage is that you don't have to cry about how lonely it's making you feel. Hey, I'm not the one writing these movies. I'm just picking up what they're dishing out!

Q: Will this movie be up for any awards?

A: Michelle Williams is up for an Independent Spirit Awards, but Ryan Gosling is the one who would've had a chance of winning.

Q: How is the Acting?

A: The performances are the main reason to see this film. Both Gosling and Williams show complexity and depth as they display their youthful joie-de-vivre in the scenes when they first meet and fall in love, and contrast that with their tired, worn-down married sides, in all the rest.

Q: How is the Directing?

A: It almost looks like they shot on film and then tried to make it look like poor quality video. That seems a little moronic to me, but the only other possibility is that they shot on video and then used special effects to make the "print" look scratched. Which, I'm sorry, is equally moronic.

Q: How is the story/script?

A: The story somehow manages to hold your attention despite the nagging feeling that it won't ever amount to anything more than one random couple's rise and fall from love. Which it doesn't.

Q: Where can I see the trailer?

Blue Valentine Trailer

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Mother and Child

Q: What’s the movie about?

A: 37 years after a teenage girl gives up her child for adoption, she (Annette Bening) is still haunted by the ways in which it ruined her life. Meanwhile, the daughter she doesn't know (Naomi Watts) has grown up to be cold and independent to a fault. And in a separate story, a woman who can't conceive (Kerry Washington), struggles to adopt a child of her own.

Q: Who’s in the movie?

A: Annette Bening, Naomi Watts, Kerry Washington, Jimmy Smits, Samuel L. Jackson, Elpidia Carrillo, Shareeka Epps, S. Epatha Merkerson, Marc Blucas, Cherry Jones, Carla Gallo, Britt Robertson, David Morse, Amy Brenneman, Simone Lopez, Tatyana Ali, David Ramsey, Lisa Gay Hamilton, Eileen Ryan

Q: Is this movie worth the price of admission?

A: Proceed with Caution. This is a gut-wrenching, powerful drama that all women will be able to relate to, as well as those few men who are in touch with their feminine sides. In other words, while this is a great movie, it may appeal to men about as much as No Country for Old Men appeals to women.

Q: Will this movie make me laugh?

A: For a movie that is in no way billed as a comedy, you will be surprised at how many laughs fill each scene. But be warned, they are sophisticated laughs, about the real problems people sometimes have being nice to each other when the world around them seems to have nothing good to offer.

Q: Will this movie make me cry?

A: Yes, and you won't even have to feel ashamed about it.

Q: Will this movie be up for any awards?

A: I foresee some acting awards, as well as a screenplay nomination from the Independent Spirit Awards.

Q: How is the Acting?

A: Annette Bening is so good that she manages to make herself look ugly using nothing but her personality. And by the way, Naomi Watts goes full frontal.

Q: How is the Directing?

A: Rodrigo Garcia openly admits to not knowing how to direct actors. Instead of directing them, he is picky and painstakingly meticulous about casting the right person in each role, after which his technique is (and I quote): "When you have an actor who knows what he's doing, you as the director would do best to become the follower, not the leader. After all, you still get to take credit for their amazing work."

Q: How is the story/script?

A: Garcia enjoys leaving key details out of the dialogue, but most of them are well explained without words. He magically captures the unpredictable responses of that woman we've all encountered, whose life is going horribly. You know, the one who's always right in front of you in line at the post office or the grocery, yelling at the clerk for seemingly no reason besides that she really needs a punching bag today.

Q: Is there anything else worth mentioning about the movie?

A: I learned in the Q & A that Samuel L. Jackson can be lured to most movies by that little brown envelope they call per diem and a guarantee of 2 days a week to play golf at the production company's expense.

Q: Where can I see the trailer?

A: http://www.moviefone.com/movie/mother-and-child/10011344/trailers

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Body of Lies

Q: What’s the movie about?

A: A CIA operative in the Middle East (Leonardo DiCaprio) tries to take down the head of a terrorist cell, but his biggest challenge is figuring out which of his allies he can trust.

Q: Who’s in the movie?

A: Leonardo DiCaprio, Russell Crowe, Mark Strong, Goldshifteh Farahani, Oscar Isaac, Ali Suliman, Alon Aboutboul, Simon McBurney, Kais Nashif

Q: Is this movie worth the price of admission?

A: Proceed with Caution. Nearly as difficult to follow as Syriana, and not necessarily as fresh or interesting. If you go to the movies to escape or check out, you won't be able to do that here, as you have to pay attention every moment, and think to follow-- or you can do what I did, and cat nap when your brain starts to hurt. Okay, so I didn't like it very much, but that doesn't mean you won't. I mean, I'd be hard pressed to find a woman who enjoys this. But if you're a guy, and you like to watch guns and blood and war and things blowing up and sand-- this is whatever the male equivalent of a "Chick Flick" would be called. "A Him Flim?" "A Guy High?" (Feel free to submit better suggestions, so we can finally have a derogatory term for movies that alienate women.)

Q: Will this movie make me laugh?

A: I laughed really hard once at a poorly framed shot of a guy in a suit standing in front of a fountain with his legs open. Completely unintentionally, the water was spurting up and down between his legs, making him look like he's either peeing through his suit or standing over a bidet, washing his rear. That was my favorite part of the movie. I like to laugh.

Q: Will this movie make me cry?

A: No, but it will give you a sense of hopelessness about the war on terror. Our plan to fight terror with terror doesn't work. For every terrorist you kill, at least 10 new vengeful ones sprout up like the water fountain between that guy's legs. We need a new strategy-- and how! So if you have any suggestions, please post them on Facebook.

Q: Will this movie be up for any awards?

A: I liked the song that played over the closing credits... or maybe I was just happy the movie was over.

Q: How is the Acting?

A: Russell Crowe plays a caricature of a bad guy. He's cold, he doesn't care about anyone, and we don't care about him. Leonardo DiCaprio's performance is fine, but his character is like an automaton: he does what he's told-- and he has integrity, too! Every character in the film feels like an object, only put there to accomplish a goal. None of them offer anything compelling for the audience to relate to, latch on to, or care about.

Q: How is the Directing?

A: Ridley Scott sure does like to blow things up and shoot people dead. Hey, why shouldn't he? He's damn good at it!

Q: How is the story/script?

A: This story has no emotional through line. I don't know about you, but I remember things whether in conversation, in movies, or in life, by how a moment made me feel. Without feelings, you only have the words to remember things by. So in this movie I tried to pay attention to the words, and I tried to retain them so that I could recall them later when I would need them again... but I couldn't.

Q: Is there anything else worth mentioning about the movie?

A: If you want to see a great thriller about the clusterf**k we've gotten ourselves into in the Middle East, go see Traitor with Don Cheadle. It's smart, it's emotional, and it's a much clearer demonstration of the ambiguities between good guys and bad guys, when it comes to us and them. Here's a link to my review:
http://moviereviewfaqs.blogspot.com/2008/08/traitor.html

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