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Showing posts with label The Big Lebowski. Show all posts
Showing posts with label The Big Lebowski. Show all posts

Saturday, September 13, 2008

Burn After Reading

Q: What’s the movie about?

A: An aging gym employee (Frances McDormand) becomes obsessed with reinventing herself through a cosmetic surgery procedure she can't afford. So when her co-worker (Brad Pitt) accidentally comes across a secret CIA file, she will go to any length to get paid for returning it.

Q: Who’s in the movie?

A: George Clooney, Frances McDormand, Brad Pitt, John Malkovich, Tilda Swinton, Richard Jenkins, David Rasche, J.K. Simmons, Olek Krupa, Elizabeth Marvel, Dermot Mulroney

Q: Is this movie worth the price of admission?

A: PhotobucketGo! Finally the Coen Brothers make a movie I can get behind! (While it's clear that I'm partially trying to piss off you die-hard Coen Brothers fans, let's be honest, it has been a while since they've made a movie that can be recommended without reservations or caveats.)

Q: Will this movie make me laugh?

A: Most of the characters in this film are cold, heartless, or selfish, and in some cases all of the above. So that's funny.

Q: Will this movie make me cry?

A: No, but it you're offended by swearing you should know that a good 40% of the dialogue in this film consists of the singular phrase, "What the F*#k!" Oh, sorry, did I offend you there?

Q: Will this movie be up for any awards?

A: It's a Coen Brothers movie, what do you think?!

Q: How is the Acting?

A: If Brad Pitt weren't already one of the biggest stars in the world, this would be his breakout performance. Because sometimes the coolest thing you can do is play a total dork. Meanwhile, John Malkovich turns in another performance that's too good for award recognition. In other words, he's so believable that you completely forget he's acting, and therefore don't give him credit for being mind-blowingly good. (See Being John Malkovich for the most pertinent example of him being too good for recognition.)

Q: How is the Directing?

A: It goes without saying that this is the area of filmmaking in which this team can do no wrong. Especially when it comes to comedies, their exaggeratedly high and low wide angles, which characterize their over-the-top style, is so engrossing that I can't figure out why more directors aren't blatantly ripping it off.

Q: How is the story/script?

A: After their last pointless movie, it's nice to see the Coen Brothers make a movie with a point. Ironically, the point may be that there is no point. But at least they make a point about it.

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