A: After a broken-off engagement, a suicidal man (Joaquin Phoenix) suddenly finds himself choosing between two beautiful women (Gwyneth Paltrow and Vinessa Shaw).
Q: Who’s in the movie?
A: Joaquin Phoenix, Gwyneth Paltrow, Vinessa Shaw, Moni Moshonov, Isabella Rossellini, Elias Koteas, Jay O. Sanders, Bob Ari, Julie Budd
Q: Is this movie worth the price of admission?
A: Proceed with Caution. Despite the high profile cast, this plays like another depressing indy movie that some people will call a beautiful portrait of love and its effect on the human condition, and which I will call a downer that was hardly worth the zero dollars I paid to see it.
Q: Will this movie make me laugh?
A: The scene that introduces Gwyneth Paltrow is pretty funny. But that's about it.
Q: Will this movie make me cry?
A: While the experience of unrequited love will always summon tears in real life, this film doesn't transmit the experience beyond the actors' own sense memory exercises.
Q: Will this movie be up for any awards?
A: It was nominated for a Golden Palm at Cannes, which some of my friends who saw The Class (the winner of the Golden Palm), will tell you doesn't mean squat! Not my words, theirs... They know who they are.
Q: How is the Acting?
A: Joaquin Phoenix gives the type of performance that often gets lauded. Personally, I found him to be totally creepy. Gwyneth Paltrow, on the other hand, who I haven't been much of a fan of in the past, gives a vibrant performance that jumps off the screen. Apparently, the role was written with her in mind. Meanwhile, Vinessa Shaw gives a performance that explains why she's been in a fair amount of high profile movies for the past ten years, and people are still asking "Who's this Vinessa Shaw person?" In other words, she'd be awesome as the lead in a procedural TV series.
Q: How is the Directing?
A: James Gray clearly makes an effort to step away from the standard angles and coverage for this imitation art film, and for that I give him credit. I know that sounded like half an insult, but it's just hard to give the director of We Own the Night the same "indy film" pass that I might give to a first time director who has no money, no stars, and no resources.
Q: How is the story/script?
A: It introduces some interesting characters and an interesting dynamic between them, but I'm not sure what enjoyment or insight the writer was hoping to give the audience with this story, besides that some forms of entertainment just aren't very uplifting.
Q: Where can I see the trailer?
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