The Good Guy

Q: What’s the movie about?

A: A wall street hot shot (Scott Porter) trains a guy who's just too good (Bryan Greenberg) in having it all: the money, the looks, the girls. But do women prefer good guys or bad boys?

Q: Who’s in the movie?

A: Scott Porter, Alexis Bledel, Bryan Greenberg, Anna Chlumshky, Aaron Yoo, Andrew McCarthy, Jessalyn Wanlim, Andrew Stewart-Jones, Christine Evangelista, Jeane Fournier

Q: Is this movie worth the price of admission?

A: Proceed with Caution. This movie is like a cross between a failed Hollywood rom-com and fairly decent indy film.

Q: Will this movie make me laugh?

A: When all else fails, go for the guttural.

Q: Will this movie make me cry?

A: According to this movie, the only way to make money on wall street is to objectify women and party a lot. And if this hypothesis is correct, it does make me want to cry, because I would never pick those morons to handle my money, and now our whole economy has gone down the toilet!

Q: Will this movie be up for any awards?

A: Chick-flick Most Likely to be Enjoyed by Men and Hated by Women.

Q: How is the Acting?

A: Bryan Greenberg really grows on you, while Scott Porter smoothly moves in the opposite direction... but that's what he's supposed to do, so it's actually a compliment.

Q: How is the Directing?

A: The pacing is slow and awkward with an amateur feel at the start, but eventually it picks up and takes you with it.

Q: How is the story/script?

A: The first scene is squirmish and makes you feel uncomfortable (which is good), but that is quickly forgotten as we flashback to how it all came to that. What follows feels like it would best be enjoyed on TV, as the jokes are hit and miss and the story's direction is obvious-- at least up until the tacked on, unexpected ending, that may or may not make it deeper than it seemed.

Q: Where can I see the trailer?

A: http://www.moviefone.com/movie/the-good-guy/1431695/trailers

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Deception

(Guest Review by Russ)

Q: What’s the movie about?

A: A smooth, handsome con-man posing as a lawyer (Hugh Jackman) seduces a meek accountant (Ewan McGregor) into a dangerous game of sex and blackmail using a beautiful woman (Michelle Williams) as bait.

Q: Who’s in the movie?

A: Hugh Jackman, Ewan McGregor, Michelle Williams, Lisa Gay Hamilton, Maggie Q, Natasha Henstridge, Charlotte Rampling

Q: Is this movie worth the price of admission?

A: Stop! This is the sort of project that could have just as easily starred actors like Casper Van Dien, Antonio Sabato Jr, and Brooke Burns and be available straight to DVD at Blockbuster. So with an A-list cast and studio backing, there’s just no excuse for this movie to be the cold fish that it is. The twists aren’t twisty enough and the logic holes are too large to be glossed over, especially considering there’s not much entertainment value here, in the first place.

Q: Will this movie make me laugh?

A: Not really.

Q: Will this movie make me cry?

A: If you’re going to a movie called Deception wondering if you might cry, you probably need to see more movies.

Q: Will this movie be up for any awards?

A: Not unless they start inventing awards for Best Tour of NYC Hotel Rooms. If so, then skip the nominating process and just hand this movie the award right now.

Q: How is the Acting?

A: There’s no question the three leads are all A: gorgeous, and B: extremely talented. McGregor is clearly having fun subverting his star-magnetism into a mild-mannered auditor. And Michelle Williams somehow manages to make a woefully underwritten part really darn interesting. Memo to Hollywood: Please put this woman in better films because there’s no actress out there right now who clearly deserves it more.

Q: How is the Directing?

A: Shiny and professional, which one would hope for in a movie with this sort of cast and what was surely a huge budget. If only they’d worked on the script a bit more. Okay, a lot more.

Q: How is the story/script?

A: It’s an interesting set-up, but it takes too long to start. And we know the twist is coming, but when it does, it falls short and then stumbles along into such complete and utter improbability that it defies logic to the point where it can’t help but turn the entire movie into one huge joke. Unfortunately, the joke is on the paying customers in the theater.

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